Hey, look at that, I’m back to reviewing these! Primarily because the new season of HoC premiers at the end of the month and I am super behind. In case I haven’t mentioned this: I watch and then review, and I don’t watch further if I haven’t written a review, so I’m sure you can see how that strategy might backfire into not ever getting a chance to watch the rest of the show because I’m just too lazy to write my review. Bad, SM. Get it together.
I am getting it together! Or trying to, anyway. I finished automotive school at the end of January and now I am in Israel on a month-long trip that I like to call “My Last Hurrah Before Having To Come Home and Be an Adult.” And of course, what is there to do in Israel aside from watch TV shows about American politics? Nothing significant, that is correct.
This review in particular, though, I’m finding hard to write, not because it’s been so long since I’ve seen and written about the show, but rather because nothing that happens in either of these episodes struck me as particularly memorable. They hit a couple of major plot points — Lucas the Journalist’s story mercifully wrapped up with his framing and arrest for cyberterrorism, and Frank is attempting to drive a wedge between the President and his billionaire advisor, Raymond Tusk. But neither of these storylines are all that compelling to me because Lucas is not a character I find interesting, and neither is Raymond Tusk. Gone is the eccentricity that gave his character the slightest bit of depth; now he’s just this rich guy who’s looking after his interests. Very one-note, very boring. So these major arcs just feel perfunctory to me as a viewer because I don’t care much for the people involved.
The smaller stuff I find more compelling, even if there’s not much there — the few brief scenes with Rachel Posner (I think that actress has incredible screen presence and I hope she gets to have more agency as the show goes on), and more substantially, Claire’s new committee to fight for women’s rights in the military, which introduces the character of the First Lady, and it was awesome to see her use her status to smack down that general/military dude who was insisting the military does all it can to protect its women, when clearly it could do more. I was less enamored with the bit where Claire is clearly trying to push Christina (girlfriend of the late Peter Russo, a’’h) out of the picture by planting suspicions in the First Lady’s mind that Christina is having an affair with the President. At least, I think pushing Christina out of the White House is her goal with that, but honestly I have no idea because I don’t know why she suddenly cares what happens with Christina. Theoretically she could be concerned that Christina could piece together the fact that Frank murdered Russo, but it’s unclear how that would be possible and why now this is a concern. Also it’s unclear if Claire even knows that Frank murdered Russo? Ugh, show, you could be better at this.
Basically, these two episodes fall into the category of Less Engaging Setup. I do not have a problem with setup in and of itself, but even if seeds are just being planted for a payoff down the line, there are ways to make those seed-planting scenes more interesting than many of these. (As I wrote in my review of the season 5 finale of Supernatural, that show suffered from the opposite problem of setup that was so interesting that the payoff paled in comparison.) Of course, most people aren’t watching this show in two-episode chunks and then stopping to write reviews, so the show is structured to build as one story and not necessarily be broken down on an episode-by-episode level. Still, there are very serialized shows out there that do a better job on an episode-to-episode and scene-to-scene level than these couple of episodes. Hopefully things will pick up soon, and if they don’t, well, Kevin Spacey and Robin Wright are still worth watching regardless. Underwoods 4evah!!