SPOILER FREE REVIEW — Supergirl Pilot

(100th post!!! Ahhhh!!!)

Before I watch this episode that the world-renowned Anonymous Donor has commissioned me to review, I just want to say that I have no idea what I think about this show. I have not watched any trailers, leaked footage, nada. I made a choice some time ago to see the show only in its intended episodic form, not truncated or packaged promotionally.

And the reviews I’ve seen (headlines are unavoidable on Facebook) appear to be polarizing. I know that when the trailer came out, lots of people mocked it for being exactly like the SNL Black Widow movie trailer except without the irony, while others were adamant that that is the whole POINT of Supergirl, that she is “just a regular girl” with mundane girl concerns and mundane girl interests, who just happens to have superpowers. And that the show is trying to make a point that being a girly girl or being feminine is not a weakness; you can be a girl’s girl AND a superhero! Of course, my concern with that is that in their efforts to make Supergirl an Everygirl, the showrunners may forget to give her a unique personality and have her be more of a cipher than a character.

I’m also not sure what to expect of Melissa Benoist, whose character on Glee was pretty much the dictionary definition of “bland.” That may not have been her fault (the character was definitely weakly written) but put it this way: when Grant Gustin was cast as the Flash, I was thrilled because he was FABULOUS on Glee and I was excited to see what he’d do. Melissa Benoist, not particularly. I did like her in Whiplash, though, and her role in that movie was to represent ordinariness and normalcy in contrast to Miles Teller’s character’s obsessive pursuit of extraordinariness and greatness, so if that will be her job on Supergirl, to be normal and ordinary, she’ll probably pull it off just fine. I just hope it won’t be boring.

Basically, I’m not sure what to expect, what point the show is going to try to make or whether it will be any good at making it. I’m not prepared. Well, I’m prepared to be conflicted. That’s about it.

 

* * *

 

WELL. I guess it turns out that I did have expectations, because this was wayyyyyy better than I thought it was going to be.

First off, Melissa Benoist is perfect here as Kara, aka Supergirl. She has more life and verve in this role than she ever had a chance to showcase on Glee. Yes, the show does do the typical thing of making her kinda clumsy and awkward, but — take note, Aaron Sorkin and Newsroom staff — never incompetent. She has more passion and enthusiasm than I was expecting from an Everygirl character, which give her excellent screen presence. She is not boring. She cares deeply about things, from her job dissatisfaction to her newfound crush to her reverence for Superman to her relationship with her sister to her own heroics to her confusion over her place in the world. Yes, many of these things are mundane Everygirl concerns, but rather than turning her into a cipher or a Mary Sue, the effect is not that I project myself onto her, but rather that she feels like her own entity, definitely a full person, but one that I’d like to be friends with because we have some things in common. That scene on the couch with her squeeing over seeing her heroics covered on TV for the first time — total bff material.

I also love that they didn’t just make the protagonist female only to surround her with a mostly male ensemble, as is far too common. There seem to be two main ladies aside from Kara — a fantastic Calista Flockhart as Kara’s boss, and Chyler Leigh (Lexie from Grey’s Anatomy! With short hair!) as Kara’s sister — and don’t look now but the main villain appears to be female as well. There are also a number of background/one-line characters who could easily have been male but aren’t. The episode probably passes the infamous Bechdel test half a dozen times, easily. And even the clichéd “freaking out over what to wear on a date” scene isn’t really about the date or the dude; it’s about the supportive and reciprocal relationship Kara has with her sister. There are a couple of male regulars too, but they seem to be ancillary and side-kicky in relation to the women, who are the real driving forces of the show. It’s a flipped gender dynamic that is all too rare and therefore very refreshing. To me, at least.

I don’t want to get spoilery, so I’m not going to go into detail about the plot. Suffice it to say, baddies show up and comic-booky fighting ensues at some point, growing more and more prominent as the episode goes on. In my opinion, that’s the weakest thing about this pilot; I would have preferred to see more of Kara in her real life and her relationships with the other characters, because those were interesting and nuanced, whereas right now, these villains seem to just be flat and capital-E Evil because . . . they’re evil? EEEEEEVIIIIILLLLLL. *maniacal cackle*

 

for teh evulz

 

Also, I gotta say, Kara’s coworker who keeps trying to hit on her is kind of a jerk. Not a fan of him. I mean, at one point he mistakenly thinks she’s about to tell him she’s a lesbian and is like “so THAT’S why you were never into me!” Dude, no. The default setting on girls is not “into you unless lesbian.” Sorry not sorry to burst your bubble. Just no.

And the special effects are hokey. Probably the worst of the Arrow-Flash-Supergirl triumvirate. Wonder why that is. Different budgets? Different production companies? More challenging scenarios? Who knows.

So — the million dollar question — is the show empowering? Or *gasp* feminist? 

Well, purely by virtue of it being populated by multiple female characters who consistently interact with each other in meaningful ways, unrelated to the male characters, it is as feminist and empowering as almost any shows I’ve seen this side of a Shonda Rimes production. There are definitely some moments that ring false, like when a character heavy-handedly says, “A female hero! Someone my daughter can look up to,” but overall, it’s a solid start. And if the showrunners catch onto the fact that allowing multiple women to take center stage and go about their business is being feminist, and that waving your arms all, “HEY LOOK AT US BEING ALL FEMINIST OVER HERE!!!1!!” is not so much, there’s hope for it to get even better in that department.

Have you seen the Supergirl pilot? What did you think? Feel free to disagree with me in the comments 🙂

 

 

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Like this post? I’d like to take this opportunity to remind you, wonderful reader, that my GoFundMe campaign is still open — http://www.gofundme.com/sm-automotive. The proceeds no longer go toward automotive school tuition, because I have paid off my loan in full, but you can still commission me to write anything you want. You can force me to watch ANYTHING and review it for you. Anything. Real-Housewives-of-Atlanta-kind-of-anything. Hit me with your best shot.

 

REVIEW — The Flash, Season 1, Episode 15, “Out of Time” [#SPOILERALERT]

 

 

I was commissioned way too many months ago by a generous [and patient!] donor to review an episode of The Flash of my choosing. (Commissioned post #8, booya!) First I thought I’d do the pilot, because it was a pretty darn good one and record-setting to boot. Then I thought I’d do the Flash/Arrow crossover, because it was pretty epic.
And then last night’s episode came along, and, well, I had to write about it. Not because I loved it, but because it is such a hugely important episode (a real “gamechanger” as the showrunners have been telling us), and ultimately, to me, a hugely frustrating episode. And I feel like most reviews are going to be going gaga over how awesome they thought it was, so I just have to come along and poop on everybody’s opinions before it’s too late.

[SPOILER ALERT SPOILER ALERT SPOILERS SPOILERS SPOILERS I CANNOT BE HELD LEGALLY OR MORALLY RESPONSIBLE FOR ANY DAMAGES INFLICTED ON YOUR SPOILER-PROTECTED SOUL IF YOU READ PAST THIS POINT]

 

So on the one hand, I am really really glad that they FINALLY told us who Harrison Wells is (or confirmed it, anyway, since my comic book geek friends have been telling me for weeks that in the comics, Reverse Flash’s last name is Thawne, and thus he’s probably a descendant of Eddie Thawne — aka Mr Romantic Obstacle who will be discussed later — and that’s why Reverse Flash didn’t kill Eddie when he had the chance). And the show told us his main motivation: to pull a Marty McFly and get back to the future. He’s been trapped in this time period for 15 years, and he believes the Flash’s speed holds the key to him getting back to his own time, and he’s so desperate to return that he’s been sociopathically murdering anyone who might hurt or kill Barry, because that would destroy his only chance to get home.

 

Great. Got that. It mostly makes sense. (Except the part where he was going back in time to kill Barry in the first place. That one’s still a mystery for a later date.)

 

What I did NOT get:

 

What are the parameters of Dr Wells’ powers? Wtf is that speed mirage thing? How fast can he go and what else can he do, and also WHAT THE HECK was Cisco looking at when he was reexamining the containment field? That was what almost killed the whole scene for me — he’s running some kind of test on the containment field and then the Reverse Flash appears within the forcefields, doing and saying exactly what he did and said that first time, and it’s supposed to be this BIG REVEAL MOMENT, but I…didn’t get it? What was it? A recording? A hologram preprogrammed by Wells to do all that stuff, including beating him up (there were actual bruises on Wells; they treated him for his injuries) and killing all those cops? But can a hologram beat up a person and kill things? And if it wasn’t a hologram then what? Huh? Was it another application of this whole speed mirage nonsense? That Wells-in-the-Yellow-Suit was a speed mirage left over to beat up Wells-not-in-the-Yellow-Suit? But a speed mirage lasts seconds.

 

I haven’t looked up anyone else’s reviews or explanations of what that was, because I want this review to be about my untainted reactions at the time that I watched it, and my untainted reaction at the time was: Error. Error. This does not compute in any way.

 

 

 

So for me that whole scene was a fail because when your Big Reveal moment winds up being just a Big Huh??? moment, it’s incredibly distracting and not only takes away from the reveal but takes away from what comes afterward because I was still all WHAT IN THE NAME OF ZEUS IS SUPPOSED TO BE GOING ON HERE when Wells himself came into the scene and [SPOILERED] Cisco and I suspect that part had much less of an impact on me than it was supposed to, because my head was still stuck several minutes back.

 

Speaking of which!

 

The other awesome/gamechanging development in this episode came in those final seconds when Barry somehow punches a hole through the fabric of the spacetime continuum and travels through time. Woohoo!! And surprise, he doesn’t go to the future or the very distant past — he goes back, conveniently, to nearly the beginning of the episode, so that the writers have in effect hit a handy dandy reset button on everything that happened after that. Cisco isn’t [SPOILERED], Wells hasn’t revealed himself, the police chief hasn’t been struck by lightning to save Joe, Joe hasn’t been kidnapped by the Weather Wizard, Barry hasn’t revealed his powers to Iris AT LONG LAST, Iris hasn’t confessed her undying love for Barry, Iris and Barry never did something so abominably thoughtless as smooch each other while in relationships with other people — but more on that development later.

 

As for time travel, it’s still super unclear what the rules are. Like, are there now two Barry Allens walking around in the past or did he somehow merge and become only one, because I didn’t see a second Flash on that streetcorner when he appeared in the past? And can he alter history now, or not? Because if he could, then what we saw happen would never have happened, because there would have been a second Flash running around stopping it in the first place, because time travel is circular and paradoxical and totally makes no sense.

 

But I figure they probably won’t address that and just have him try to change things and have OTHER things go wrong. Which I’m looking forward to, for sure.

 

But I think it’s a bad thing when an episode makes you feel glad that it pressed a reset button if the reason you’re glad is because you think most of the choices made by the characters were stupid choices and phew, now they get a do-over.

 

Like, oh my god, I am not okay with the direction the romance on this show has taken. I am really not a fan of when a show presents alternate love interests who (a) might as well have OBSTACLE emblazoned on their foreheads and then (b) proceeds to treat them poorly, depriving them of development and having the main characters who are dating them instead of each other treat these disposable obstacle characters like crap. (This is what happened to Dean after Jess got introduced on Gilmore Girls and so much NOPE there too.)

 

Barry, you are dating Linda. Focus on that. Stop dwelling on Iris. Stop asking Joe for advice about her; ask a neutral party. (Joe gives terrible advice here that deserves to be erased from the spacetime continuum; he advises Barry to “hold onto those moments” when he thinks Iris loves him back, rather than pay more attention to the girl he is actually dating. You cannot date someone seriously — and Linda has made it clear she would like to be dated seriously — if you are actively holding onto hope for someone else. Bad, Joe. You should know better.)

 

Iris, you are living with Eddie. You know Barry has feelings for you. Stop feeding that. Stop inserting yourself into his love life, by crashing his dates, being touchy-feely, giving him your unsolicited opinion that the girl he’s trying to date is wrong for him. That is an area of his life that you need to butt out of, period. Let him get over you and build new relationships. Not to mention the discomfort you’re causing Eddie. Which has reached a point where he speaks up about it and calls Iris on it. (Aside: I really liked how he did it, btw, the way he phrased it: “I didn’t like how I felt when…” I didn’t like how felt. He doesn’t accuse and blame her, but he makes his feelings clear that he felt like a third wheel when he shouldn’t have to feel like that. He was much more diplomatic than my little sister’s assessment, who is only 14 but can still tell that Iris’s behavior is not okay: “Iris is really bugging me right now.”)

 

All of this detracts majorly from the moment at the waterfront where Iris confesses her feelings and they kiss — the whole time my brain was just screaming “WHO THOUGHT THIS WAS ROMANTIC??? You are dating other people! You are lying to them! This is not romantic! This is not okay!” But with the music swell and the camera’s loving, lingering shots, clearly the show is presenting this moment as romantic, and I am so not cool with that. (Also Joe was being held hostage and there’s an impending tsunami and why are you kissing. Also that.)

 

 

Also was not cool with Linda’s line to Iris that she thought Iris had told Linda about Barry’s feelings because that was “typical weird crap women do to each other” — that line just radiates Male Writer in a way that really rubs me the wrong way. Maybe a woman who sees herself as such an outsider compared to other women might say something like that, but we really don’t know enough about Linda for that to feel authentic to her character. It basically sounds like a man writing a woman, and doing it badly.

 

Female representation on this show is not its strong suit, which is a crying shame, because representation of other minorities is done so well. There are multiple non-white characters in the regular cast, and it was established in an earlier episode that the chief of police has a boyfriend, who is now a fiancée.

 

That’s the one moment that I am sad to see vanish into the ether of rewound spacetime: the way everyone reacts to the fiancée — that is, they don’t react at all. They treat him as anyone would treat any distraught significant other, with no mention whatsoever of the fact that this is not a heterosexual relationship and no “look at us, we have a gay couple on our show!” It’s presented as completely mundane and normal. The show made such a statement by deliberately not making any statement at all, and I loved, loved, loved that.

 

One final gripe: Dear lord, everyone is so stupid about the Weather Wizard. After Cisco makes that magic weather wand, and after it has been proven to work, WHY ON EARTH IS JOE GOING ANYWHERE WITHOUT IT? What is wrong with you?? And since he didn’t take it, why didn’t Barry take it when he went to the waterfront?! WHY ARE YOU SO STUPID. (I know, I know, gotta pass the Idiot Ball around because Plot.)

 

One final non-gripe: The Weather Wizard is pretty. So glad he’s the one who gets to have a recurring role, and not the creepy-looking dude who played his brother.

 

So…yeah. These are my thinky thoughts. Basically, most of what happened in this episode bothered me, especially the romantic subplots and the stupid way everyone dealt with the Weather Wizard, and I was glad it was stricken from the record of history. If it was the intention of the writers to make me feel that way, well, good job, writers. But that doesn’t make me any more thrilled with the contents of this episode.

 

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Agree? Disagree? Like my thinky thoughts? You can commission more of them via my GoFundMe campaign — http://www.gofundme.com/sm-automotive — or subscribe on the sidebar, and thanks for reading! You can also buy me tools from this Wishlist but really I just like money.

 

My Year-In-Review, via Facebook Statii

It is way too much work to think back over this whole year and construct some kind of coherent narrative and write it all out for a serious, heavy-duty year-in-review. So instead I’m just gonna take the first and last Facebook status of every month of 2014 and post them in one spot, with minimal commentary in fancy schmancy italics. I’m excluding links and pictures and famous quotes and whatnot that aren’t just pure nuggets of wisdom straight from me. Enjoy?


 

January 1st

So, Wolf of Wall Street? Basically makes me want to go and hug everybody I know and be like, “OH MY GOD I AM SO GLAD YOU ARE NOT JORDAN BELFORT.” Oh, and DiCaprio better win the Oscar.

lolololol oscar hahahaha
*

January 30th

If I were to have a “What I Be” portrait done, I think I’d have “vampire” “acne” “makeup” and “smile lines” (with arrows) written on my face, with the caption: “I am not my skin.” And no, I’m not posting this for attention or validation. I’m posting this solely to annoy Rafi Skier.

Because *reasons.* Also, ha, remember that photography project? That happened.


 

February 2nd 

BAD. IT. IS. SO. BAD. ‪#‎SuperBowl‬

Nuff said.
*

February 27th

Please keep my friend and radio mentor Philip Rosenberg in your prayers, because he suffered a medical emergency today and is a devout atheist, so being prayed for would probably piss him off enough to get better so that he could yell at me.

Phil is doing just fine, yay! Proof there is a god! Suck it, Phil! (Also no we are not related. Thanks for asking.)


 

March 3rd

Another year, another zero Oscars for Leonardo DiCaprio. Dude is probably going to get a lifetime achievement award before anyone will give him an Oscar.

Whaddaya know.
*
March 31st

Why SM will never be a relationship counselor, episode 4567:

Friend: “Stop getting all the men to fall in love with you! Sheesh”
Me: “I’m a heartbreaker. It’s what I do.”
Him: “Yea, I know.”
Me: “you are lucky enough to be immune to whatever it is about me that hooks these poor suckers”
Him: “I thank Jesus for it every day.
My immunity means that I’ve messaged approximately 5 profiles on two websites in the last year, because the rest are boring.”
Me: “move to mongolia or something. People seem more alluring if you can’t understand what they’re saying.”

See, what did I tell you? Nuggets of wisdom. EVERYWHERE.


 

April 1st

Note to self: the axiom “Don’t believe everything you read on the internet” was invented for days like today. (Except for the outrage over the How I Met Your Mother finale. I think it’s safe to believe that.)

APRIL FOOLS DAY AMIRITE?? Still have not watched the last couple seasons of HIMYM. But I know I would hate the finale if I ever did. Because ewwwww.
*
April 30th

Why SM Will Never Be a Supervillain, Episode 93:

Friend: “So-and-so thinks you hate her.”
Me: “What? Why would she think that?”
Him: “I have no idea. I went to great pains to explain to her that SM doesn’t muster the energy to hate anybody.”
Me: “Seriously. Way too much effort.”

This was later amended in the comments (after other motivations for being a supervillain were presented) to more specifically: “Why SM Will Never Be Slade Wilson, Aside From his Awesome Goatee and Accent, Obviously.”


 

May 1st
Kid I babysit for: “I want you to join Minecraft. Because I want you to come live in this world with me, because I don’t like being the only person in this world.”

Me: “But couldn’t anyone else keep you company too?”
Him: “But I want YOU to live in it.”
Me: “Why me?”
Him: “Because I know you well and I really really want you to live in this world with me.”

I feel like I was just proposed to by a nine-year-old.

Winning ’em over while they’re young, that’s me.
*
May 31st
Another Heights shabbos gone — big thanks to everyone who invited me for meals, hung out with me, said hi, and especially to Galit Wernick for hosting me, listening to me explain how engines work, asking me to read “Something Borrowed” out loud for a hour or two, and agreeing to watch “The Normal Heart” with me tonight. Shavua Tov!
Galiiiiiiiit ❤ ❤ ❤
The Normal Heart 😦 😦 😦

 

June 2nd

Things nobody tells you about the differences between automotive school and a liberal arts college: An abbreviated, commonly used form of the word “transmission” is “tranny.” I still get whiplash hearing people throw that word around in a completely inoffensive context.

Yup. Still. Every time.
*
June 30th
Out of context quote of the day: “Joanna, don’t miss the orgy. I can tell you where it is.” ~ Tamar Pacht
No, I will not tell you the context. YOU ARE CURSED TO WONDER.

 

July 2nd

omg I love ewoks they are best thing in all of cinematic history

Context and justification not required.
*
July 31st

Today in “Questions Never Asked of Male Automotive Students” —

Instructor (apropos of nothing): “Do you know how to make apple pie?”
Me: “No.”
Him: “Do you know how to make cheesecake?”
Me: “Nope.”
Him: “Oh. See, I want to find out how to make them so that I can tell my wife how to make them.”
Me: “Google. Google knows everything.”

Unpack the sexism, people. Unpack. Go.

Also happy birthday Harry Potter!

 

August 2nd
It occurred to me this week that I am starting to become afraid to be a Jew in much the same way I am afraid to be a woman. I, as a woman, know that obviously not all men are rapists or misogynists, but I also know (from experience and from studies and history and well-documented events) that far too many are, and therefore I am instinctively cautious and apprehensive of most men I don’t know. And similarly, I, as a Jew, know that obviously not all people are anti-Semites, but I also know (from current events and experience and studies and history) that far too many are, and therefore am starting to become instinctively cautious and apprehensive of most people I don’t know. ‪#‎persecutioncomplex‬
Oh god the Gaza war. Let’s not do that again. (Ha. As if.)
*
August 31st
Dear body, you can sleep late on Sundays. Really. It’s okay. Sincerely, I DIDN’T GET TO SLEEP UNTIL 2 AM LAST NIGHT WHY AM I AWAKE
THE STRUGGLE IS REAL.

 

September 1st

So Labor Day is about honoring the blue collar workers? Honor me, people. I expect groveling.

Ahem. Still waiting.

*

September 30th

It will never not be creepy when guys I’ve never had class with and never spoken to call out to me by name when I walk by them in shop or in the hallways. Never. Ugh, so creepy.

*curls into fetal ball*

 

October 2nd

Signs you’re an auto mechanic student: You cringe every time you see a Chrysler Town and Country because the hood is too short so half the engine compartment extends under the dash and is a nightmare to work on. *shudders*

THE HORROR.
*
October 30th

Baby brother: “You’re going to school today?”
Me: “Yup!”
Him: “You know, a wizard could probably fix cars REALLY EASILY.”

‪#‎facts‬

little brothers always ruining everything


 

November 2nd

boston y u have such bad weather also y r u in boston. ugh boston. no me gusta. Awesome people though. Jacquie Chana Yocheved Wolpoe better come back to NYC soon or — or…I’ll just have to visit again, I guess.

but for real Boston sucks so much

*
November 28th

These Black Friday taglines of “The more you spend, the more you save!” are shorting out my logic circuits. That is literally not true. Stop it, internet.

although thank goodness for Black Friday because who knows if I’d have a tool set without it

 

December 1st

Things that frustrate me: the fact that we have the technology to land a probe on a comet but not to pack chips into a bag in such a way that the settling won’t result in 2/3 of a bag of air. ‪#‎darncapitalists‬

And don’t tell me the bag is the technology keeping the chips from being crushed. If there was any financial incentive to fit more chips in a bag, they’d find a way.
*
December 31st
?????????????????????

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On “Arrow” — Why *CHARACTER SPOILER ALERT* Bothers Me: A Meditation on the Integration of Strength and Vulnerability in Screen Characters

(Whew, that’s a long title.)

SPOILER ALERT SPOILER ALERT

 

In honor of the conclusion of season 2 of Arrow, we have our first commissioned post! Alex Wittenberg donated and requested that I write about “any one aspect of the show.” So I decided to write about something that’s been bothering me, which probably doesn’t bother most people for the same reason, but there are probably other reasons people are bothered by this aspect as well.

Enough with the vagueness! On to the spoilers!

Seriously, don’t read past here if you intend to watch Arrow and haven’t yet seen up to Season 2 Episode 4. Major character spoilers ahoy. Okay, you’ve now been warned three times. I give up.  

So as you may have figured out if you recall what happens in Episode 4, I’m trying to say that I’m bothered by the characterization of Sara Lance, also known as Black Canary.

I was really excited when she joined the show, because I thought it was a great twist and I was looking forward to seeing what they’d do with her. But unfortunately my enthusiasm petered out when I discovered I just didn’t like the character very much. I found her fairly flat and unmemorable despite all the screen time they gave her, and I really can’t tell if it’s the actress or the writing or possibly even the directing, but I just barely remember anything interesting she did this season, aside from having a female lover (which the cynic in me says was a desperate attempt to combat her unmemorableness, as well as a ratings ploy even though it was pretty tastefully done). At this point, I couldn’t care less about her being on the show or not, but I’m glad they haven’t killed her off yet, because if they did, I’d be expected to care, as a viewer, and I just don’t. (Same with Laurel but this post is not about Laurel.)

But aside from her overall blandness, Sara’s characterization suffers from one of my personal pet peeves: what I like to call “the Strength-Vulnerability See-saw.” (And by “I like to call it that” I mean that I just now made up the name for the purposes of this post, of course.)

The Strength-Vulnerability See-saw is what happens when a character seems to me to have only two modes: 1) stoic, badass, and hyper-competent, vs. 2) emotional, weepy, and overly vulnerable.

Sara Lance could give the master class in this. When her mask and wig and cleavage-baring catsuit are on, she is unstoppable, a force to be reckoned with. As soon as the mask comes off? She morphs into this sad-eyed, angst-ridden, quivery-chinned mess.

Some might call this character depth and talk about how her superhero mode is her coping mechanism for all the emotional turmoil underneath. And I’m not saying that’s untrue, I’m just saying that it’s irritating to watch an ostensibly strong female character see-saw back and forth between such extreme versions of being a superhero and being a child. It feels lazy to me, as all extremes do. Nuance is where it’s at, y’all. Not everyone agrees with me that this is unnuanced, of course; some see it as a positive: “On the plus side . . . the show landed a performer capable of pulling double duty as both an emotionally wounded individual and someone skilled at taking down gang members with similar proficiency as Oliver,” writes Kevin Yeoman at ScreenRant. But I don’t care what he thinks.

Writers and actors often have a hard time integrating strength and vulnerability into a single character without resorting to extremes. That was one of my biggest problems with the second Hunger Games movie as opposed to the first one — I felt upon my first viewing that Jennifer Lawrence see-sawed too often between the stoic and the hysterical. (The second time I saw it, I didn’t feel that as much, but I still think it was an issue at points.)

It’s not a problem exclusive to female characters, either. In the early seasons of Supernatural, Dean Winchester was super macho, except in those moments when he wasn’t and went to the other extreme. Fortunately, as the seasons go on, either the writing gets better or Jensen Ackles got a better grasp on integrating the character’s emotional side with his macho side, so that he no longer felt like a see-saw.

Maybe if Sara were on the show for longer, the same thing could have happened. But if she’s not, I definitely won’t miss her. Apologies to all the Sara fans out there.

 

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